All the publications related to Etruscan dance and Etruscan and pre-Roman Textiles are indicated here. It is a constantly growing research bibliography.

Etruscan Dance

  • R. Bloch, “Sur les danses armées des Saliens”, in Annales. Économies, Sociétés, Civilisations, 4, 1958, p. 706-715.
  • G. Camporeale, “La danza armata in Etruria”, in Mélanges de l’École française de Rome. Antiquité, 99-1, 1987, p. 11-42.
  • P. Ceccarelli, La Pirrica nell’antichità greco romana: studi sulla danza armata, Pisa-Rome, 1998.
  • L. Cerchiai, “Breve appunto sulla Tomba delle Leonesse”, in Sertum Perusinum Gemmae oblatum, Quaderni Ostraka, 13, 2008, pp. 69-75.
  • A. Cherici, “Dance”, in A. Naso (dir.), Etruscology, vol. 1, Boston/Berlin, 2017, p. 233-244.
  • A. Cherici, “Otium erat quodam die Romae in foro. Divagazioni su milizia, paesaggi, danze e cavalieri nella Roma più antica”, in Annali della Fondazione per il Museo “C. Faina” di Orvieto, 17, 2010, p. 201-233.
  • P. Fontaine, “La fête au palais. Un autre regard sur le relief aux danseurs de la regia d‘Acquarossa”, in Mélanges de l’École française de Rome. Antiquité, 128-1, 2016. | Read online
  • A. Gouy, “Performances politiques en Italie préromaine: points de repère à partir de la danse armée dans l’iconographie funéraire étrusque (VIe-IVe siècle av. J.-C.)”, in LUDICA. Annali di Storia e Civiltà del Gioco, 25, 2019, p. 78-93.
  • A. Gouy, “Perception, compréhension et restitution de la danse étrusque: nouvelle approche visuelle dans l’étude de l’image antique”, in Histoire de l’Art, 70, 2013, p. 43-51.
  • A. Gouy, “L’outil photographique et l’étude de la danse antique”, R. Bertho, J.- Ph. Garric et Fr. Queyrel (dir.), in Patrimoine photographié, patrimoine photographique. Actes de colloque, Paris-Institut National d’Histoire de l’Art, 2013. | Read online
  • J. Heurgon, “Le satyre et la ménade étrusques”, in Mélanges d’archéologie et d’histoire, 45, 1, 1928, p. 96-114.
  • J.-R. Jannot, Les Reliefs archaïques de Chiusi, Rome, 1984.
  • M. A. Johnstone, The dance in Etruria. A comparative study, Florence, 1956.
  • M. Lesky, Untersuchungen zur Ikonographie und Bedeutung antiker Waffentänzer in Griechenland
    und Etrurien, Munich, 2000.
  • Daniele F. Maras, “Dancing Myths: Musical Performances with Mythological Subjects from Greece to Etruria”, in A. Garcia-Ventura, C. Tavolieri, L. Verderame (ed.), The Study of Musical Performance in Antiquity: Archaeological and Written Sources, Cambridge, 2018, p. 137-153.
  • M. Martinelli, Spettacolo e sport in Etruria. Musica, danza agonismo e rappresentazioni tra Italia e Mediterraneo, Florence, 2007.
  • F.-H. Massa-Pairault, “La tombe des Lionnes à Tarquinia. Emporion, cultes et société”, in Studi Etruschi, 64, 1998 (2001), p. 43-70.
  • M. Menichetti, “La pyrriche degli eroi: a proposito di un‘anfora del pittore dell‘Eptacordo”, in Ostraka, V, 1-2, 1998, p. 71-84.
  • N. J. Spivey, “The armed Dance on Etruscan Vases”, in Proceedings of the Third Symposium on Ancient Greek and Related Pottery, Copenhagen 1987, Copenhagen, 1988, p. 588-603.
  • A. Stalinski, “Tra rito e spettacolo, nuove testimonianze sull‘arte prescenica in Etruria e a Roma”, in Annali della Facoltà di lettere e filosofia dell’Università di Perugia, 31, 1993-1995, p. 323-377.
  • J.-P. Thuillier (ed.), Spectacles sportifs et scéniques dans le monde étrusco-italique. Actes de la table ronde. Rome, 3-4 mai 1991, École française de Rome, 1993.
  • J.-P. Thuillier, “Les danseurs qui tuent… et autres athlètes étrusques”, Ktéma, 11, 1986, p. 211-219.
  • J. G. Szilágyi, “Impletae modis saturate”, in Prospettiva, 24, 1981, p. 2-25.
  • R. Da Vela, “Equilibrio e movimento del corpo in alcuni rilievi chiusini di età arcaica e subarcaica”, in Italia antica. Storia dell’etruscologia tra archeologia e storia della cultura, Rome, 2006, p. 141-187.

Etruscan and pre-Roman Textiles

  • M. Bazzanella, L. Dal Ri, A. Maspero, I. Tomedi, “Iron Age Textile Artefacts from Riesenferner/Vedretta di Ries (Bolzano/Bozen, Italy)”, in P. Bichler, K. Grömer, R. Hofmann-de Keijzer, A. Kern, H. Reschreiter (ed.), Hallstatt Textiles. Technical Analysis, Scientific Investigation and Experiment on Iron Age Textiles, Oxford, 2005, p. 151-160.
  • L. Bentini, A. Boiardi, “Le ore della bellezza”, in P. von Eles (ed.), Le ore e i giorni delle donne. Dalla quotidianità alla sacralità tra VIII e VII secolo a.C., Verucchio, 2007, p. 127-138.
  • L. Bonfante, “Aggiornamento: il costume etrusco”, in Atti del Secondo Congresso Internazionale Etrusco. Firenze 26 Maggio-2 Giugno 1985. Supplemento di Studi Etruschi e Italici, Rome, 1989, p. 1373-1393.
  • L. Bonfante, “Nudity as a costume in classical art”, in American Journal of Archaeology, 93, 1989, p. 543-570.
  • L. Bonfante, Etruscan Dress, Baltimore-London, 1975.
  • L. Bonfante, “Classical Nudity in Italy and Greece”, in F. Serra Ridgway, M. Pearce, E. Herring, R. D. Whitehouse and J. B. Wilkins (ed.), Ancient Italy in its Mediterranean Setting. Studies in Honour of Ellen Macnamara, London, 2000, p. 271-93.
  • E. J. W. Barber, Prehistoric Textiles. The Development of Cloth in the Neolithic and Bronze Ages, Princeton, 1991.
  • L. Cenciaoli, Il piacere della seduzione. Materiali dalle necropoli perugine, Perugia, 2004.
  • M. Gleba, “Textiles in pre-Roman Italy: from qualitative to quantitative approach”, in Origini, XL-1, 2017, p. 9-28.
  • M. Gleba, “Textiles and Dress”, in A. Naso (dir.), Etruscology, vol. 1, Boston/Berlin, 2017, p. 485-503.
  • M. Gleba, “Etruscan Textiles in Context”, in S. Bell and A. A. Carpino (eds.), A Companion to the Etruscans, Chichester, England, 2015, p. 237-246.
  • M. Gleba. J. Pásztókai-Szeöke (ed.), Making Textiles in pre-Roman and Roman Times: People, Places,
    Identities, Oxford, 2013.
  • M. Gleba, Textile Production in Pre-Roman Italy, Ancient Textiles Series 4, Oxford, 2008.
  • M. Gleba, “Linen-clad Etruscan Warriors”, in M.-L. Nosch (ed.), Wearing the Cloak. Dressing the Soldier in Roman Times, Ancient Textiles Series 10, Oxford, 2011.
  • M. Gleba, “Wrapped up for safe keeping: ‘wrapping’ customs in Early Iron Age Europe”, in S. Harris, L. Douny (ed.), Wrapping and Unwrapping Material Culture. Archaeological and Anthropological Perspectives, Walnut Creek (CA), 2014, p. 135-146.
  • M. Gleba, I. Vanden Berghe, “Textiles from Strozzacapponi (Perugia/Corciano), Italy. New evidence of purple production in pre-Roman Italy”, in C. Alfaro, M. Tellenbach, J. Ortiz (ed.), Purpureae Vestes IV. Production and Trade of Textiles and Dyes in the Roman Empire and Neighbouring Regions, València, 2014, p. 167-174.
  • H. Granger-Taylor, “Weaving Clothes to Shape in the Ancient World. The Tunic and Toga of the Arringatore”, in Textile History, 13, 1982, p. 3-25.
  • M. Lesky, “Zum Gewand des Vel Saties in der Tomba François”, in L. Aigner-Foresti (ed.), Die Integration der Etrusker und das Weiterwirken etruskischen Kulturgutes im republikanischen und kaiserzeitlichen Rom, Vienna, 1998, p. 177-85.
  • S. Lipkin, Textile-making in central Tyrrhenian Italy from the final Bronze Age to the Republican Period, Oxford, 2012.
  • L. Mamez, H. Masurel, “Étude complémentaire des vestiges textile trouvés dans l’embarcation de la nécropole du Caolino à Sasso di Furbara », in Origini, 16, 1992, p. 295-310.
  • H. Masurel, “Les vestiges textiles retrouvés dans l’embarcation”, in Origini, 11, 1982, p. 381-414.
  • G. Meyers, “Women and the Production of Ceremonial Textiles. A Reevaluation of Ceramic Textile Tools in Etrusco-Italic Sanctuaries”, in America Journal of Archaeology, 117, 2013, p. 247-274.
  • C. Morigi Govi, “Il tintinnabulo della ‘Tomba degli Ori’ dell’Arsenale Militare di Bologna”, in L’Antichità Classica, 23, 1971, p. 211-235.
  • L. Moser, M. Bazzanella, A. Mayr, Textiles. Intrecci e tessuti dalla preistoria europea, exhibition catalogue, Riva del Garda, 2003.
  • L. Raeder Knudsen, “The Tablet-woven Borders of Verucchio”, in M. Gleba, U. Mannering (ed.), Textiles and Textile Production in Europe from Prehistory to AD 400, Oxford, 2012, p. 254-263.
  • A. Stauffer, “I tessuti”, in P. von Eles (ed.), Guerriero e sacerdote. Autorità e comunità nell’età del Ferro a Verucchio. La Tomba del Trono, Florence, 2012, p. 192-219.
  • A. Stauffer, “Case Study: The Textiles from Verucchio, Italy”, in M. Gleba, U. Mannering (ed.), Textiles and Textile Production in Europe from Prehistory to AD 400, Oxford, 2012, p. 242-253.
  • A. Stauffer, “Textil”, in A. Babbi, U. Peltz (ed.), La tomba del Guerriero di Tarquinia. Das kriegergrab von Tarquinia, Mainz, 2013, p. 157-164.
  • S. Verger, “Notes sur les vêtements féminins complexes figurés sur les stèles dauniennes”, in G. Volpe, M. J. Strazzulla, D. Leone, Storia e archeologia della Daunia. In ricordo di Marina Mazzei, Bari, 2008, p. 103-132.
  • G. Verri, M. Gleba, J. Swaddling, T. Long, J. Ambers, T. Munden, “Etruscan women’s clothing and its decoration: the polychrome gypsum statue from the ‘Isis tomb’ at Vulci”, in The British Museum Technical Bulletin, 8, 2014, p. 59-71.